Good Fortune 4K 2025

Good Fortune is the feature film directorial debut of comedian Aziz Ansari, known for Parks and Recreation and Master of None, as well as supporting roles in feature comedies. Having gained experience on television and received nominations and awards (including an Emmy), Aziz decided to try his hand at a feature film, writing the script, playing one of the leading roles, and directing the film.

The film is a classic ‘Prince and Pauper’ story, while also being a modern interpretation of films such as Trading Places (1983) and A Christmas Carol (1988).

Aziz tries to balance between light comedy with a fantastical undertone and social satire. The humor is largely based on the contrast between two worlds and absurd situations. Visually, the film is restrained, shot in a rather academic style, with an emphasis on dialogue and the actors' performances.

Speaking of the latter. The Ansari-Rogen-Reeves trio looks great, especially Reeves, whose character, combining naivety and philosophical depth, won over many viewers, including me.

His character also goes through a kind of arc, acting as a metaphor for ‘higher justice’, which in practice turns out to be completely powerless in the face of social realities.

There are some downsides, too, including the predictability of the plot, the fact that the film brings nothing new to the genre, and the superficiality of the conflict. Although social problems are clearly identified, they are not adequately explored, although for some this may be a plus, as it does not overload the light comedy.

In conclusion, I would say that the result is a decent comedy with a good message without excessive moralizing. The film is far from revolutionary, but it can provide a good viewing experience.