Codec: HEVC / H.265 (93.4 Mb/s)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
Director's Cut Version:
Codec: HEVC / H.265 (62.1 Mb/s)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: FLAC 1.0
English: Dolby Digital 2.0 (Commentary by film critic Chris Alexander)
Director's Cut Version:
English: DTS-HD Master Audio 1.0
The series left a very positive impression—as much as one can say that about a vampire show. Although it’s clear that it was filmed quite some time ago—in particular, the main vampire’s somewhat simplistic and unsophisticated special effects and technical execution are striking—it was shot with taste and professionalism. I particularly appreciate Stephen King adaptations for their ability to convey the atmosphere of fear, loneliness, and abandonment in the face of some horror or another—an atmosphere present in most of this author’s works and more or less successfully conveyed in the films based on his books.
This atmosphere is conveyed very well in the film. Just consider, for example, the scenes where vampires hover outside the window, instilling terror simply by their presence in the dim moonlight and fog, and to top it off, scraping their nails against the glass—a repulsive sound in itself, more reminiscent of a nail scratching against glass than a fingernail. It might seem like nothing special—no modern “special effects gimmicks”—yet the feeling remains eerie. And the soundtrack is fitting, which is true of the music in the series as a whole. The cast is also well-chosen. Personally, most of the actors involved in this project are unfamiliar to me, but in my opinion, everyone performed well—especially the children, without exception. In short, it’s a very decent series, and I don’t regret the time I spent watching it.