Codec: HEVC / H.265 (89.8 Mb/s)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
#English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
#English: Dolby Digital 2.0 (Commentary by director/writer Mike Mills)
After his mother’s death, Oliver learns some unexpected news from his father. It turns out his father has been gay his whole life. He realized this as a teenager, but due to the prejudices of the time, he was forced to get married. And now he plans to change and start his life over. New clothes, new friends, new hobbies, new love.
I don’t want to just be gay in theory. I want to do something about it.
Scenes from the past and present alternate. Oliver’s complicated relationship with his mother when he was still a child. Adult Oliver’s relationship with his dying father, who can finally do what he’s wanted to do his whole life. And Oliver’s relationship with Anna, a French actress.
A wonderful, uplifting film. No moralizing, no pressure on the viewer, no tear-jerking. It simply shows that it’s never too late to become who you’ve always been or who you’ve always wanted to be. All of this is complemented by superb direction, a strong screenplay, and excellent performances. The film also features many interesting little details—such as a series of slides that alternate between showing which stars were popular back then and which ones are popular now. And, of course, the soundtrack. Blues, jazz, classical—each scene takes on a special mood.
You always have a good reason for not being with someone.
The film is full of wonderful scenes. The masquerade party where Oliver, dressed as Freud, dances with Anna, dressed as Chaplin. The conversations between father and son. Gay gatherings that include watching *Harvey Milk*. Archival footage. The hotel room where Oliver spent so much time with Anna. And, of course, the dog. After watching it, you’re left with a sense of uncertainty and what’s often called “bittersweet sadness.” In my opinion, it’s an excellent film.