Codec: HEVC / H.265 (64.9 Mb/s)
Resolution: 4K (2160p)
Original aspect ratio: 2.00:1
#English: Dolby TrueHD with Dolby Atmos 7.1
#English: Dolby Digital Plus with Dolby Atmos 5.1
#Spanish (Latino): Dolby Digital 5.1
#French: Dolby Digital 5.1
Reed, a former special forces operative, works as a bodyguard for a Thai shipping magnate. When villains lure the magnate into a trap, the brave Reed sets out to track down the culprits on one of the cargo ships, in whose hold something very illegal is being hidden.
So, when you go to the movies for yet another “Statham flick,” you get exactly what you expect: a gruff loner with a heart of gold takes down dozens of enemies who can’t even hit him—let alone aim properly. The only variation is that the action takes place on a cargo ship, but this also presents a limitation: the ship’s corridors are so narrow that neither Statham’s character nor the plot has any room to maneuver.
Don’t expect “Mutiny” to have the epic scale of “Die Hard” or the grandeur of “Under Siege”—though the hero does get a blonde sidekick: she’s played by Annabelle Wallis, who’s already made a name for herself in the horror genre (starring in "The Evil Within"). But even here, a sense of derivative quality seeps through—she looks too much like a young Cameron Diaz. It’s a veritable parade of lookalikes.
It’s completely pointless to describe the plot details or promise any suspense: whatever you expect will happen exactly as you expect. And it’s even surprising that the film’s director—Frenchman Jean-François Richet—originally conceived the film with a completely different actor in mind. The original plan was for it to be a sequel to the decent action movie *Crash* starring Gerard Butler, which was also directed by Riche; however, Butler didn’t want to swap an airplane for the water, so the concept changed. What a shame—otherwise, "Crash 2" would have gone head-to-head in our theaters with "Flight Crash", which is also about a plane crash. Now that would have been something! However, as the fictional Statham said in his fictional quotes, “falling owls are just a coincidence.” And Statham’s movies have long been coinciding—with one another. That’s probably why people go see them.