Codec: HEVC / H.265 (66.2 Mb/s)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10+
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
#English: Dolby TrueHD with Dolby Atmos 7.1
#English: Dolby Digital 5.1
#French: Dolby Digital 5.1
#German: Dolby TrueHD with Dolby Atmos 7.1
#German: Dolby Digital 5.1
#Italian: Dolby TrueHD with Dolby Atmos 7.1
#Italian: Dolby Digital 5.1
#Spanish (Latino): Dolby Digital 5.1
Emerald Fennell took the classic known to all as “the darkest love story in English literature” and turned it into… a stylish, unflinching, at times almost glamorous journey teetering on the edge of madness and porn-chic. And that is both the most fascinating and the most irritating thing about this version.
Margot Robbie as Catherine is a sensation. She doesn’t play a “sweet savage from the moors,” but a truly selfish, sexually charged, almost toxic goddess who destroys everything around her and relishes it. Jacob Elordi as Heathcliff—huge, menacing, with that Australian good looks of his that works as a contrast here: he is both victim and monster, and in scenes with Robbie, the chemistry between them is so intense that the screen almost melts. Their scenes are pure adrenaline, ranging from tender touches to almost animalistic aggression.
Fennell, as expected after *Promising Young Woman* and *Saltburn*, isn’t afraid of provocation: plenty of nudity, blood, dirt, red latex (yes, seriously!), a modern soundtrack that gets under your skin, and breathtaking cinematography—the wastelands are shot as if they were a trendy music video with an $80 million budget.
But here’s the problem. All this visual and emotional feast often comes at the expense of depth. The classic "Wuthering Heights" isn’t just about passion; it’s a social nightmare, class hatred, revenge spanning generations, a curse passed down like a disease. Here, however, Fennell almost entirely discards the second half of the book, focusing solely on Catherine and Heathcliff, and emphasizes “role-playing sex games” rather than the tragedy of shattered souls. The result is a very beautiful, very steamy, but rather superficial melodrama in expensive costumes.
For Brontë fans, this will be almost blasphemous—too much glamour, too little genuine Gothic darkness and moral abyss.