 
                    
					
					
				 'Sympathy for Lady Revenge' is the third and final film in Park Chang-wok's 'Revenge trilogy'. The picture turned out to be light, graceful, but completely boneless compared to the first two films. Sympathy's main character, Kem-Ja Lee, is released from prison after 13 years to bring her brilliant revenge plan to life. In the end, she succeeds. Only at what cost ...
'Sympathy for Lady Revenge' is the third and final film in Park Chang-wok's 'Revenge trilogy'. The picture turned out to be light, graceful, but completely boneless compared to the first two films. Sympathy's main character, Kem-Ja Lee, is released from prison after 13 years to bring her brilliant revenge plan to life. In the end, she succeeds. Only at what cost ...
After watching this film, I realized that a full-fledged 'revenge trilogy' is not working well. 'Mistress' is very close to the problematics of the first film, and 'Oldboy' for Chang-wok is too independent to be just 'one of'. Therefore, it would be more logical to talk about the dilogy of 'Mistress' and 'Mister Revenge'. The two films have a lot in common. The main idea - 'If you return the child to the parents - it is for the good, if not - for the evil ...'. The only thing that distinguishes 'Madame' from the first picture is the general incompleteness. I think everyone will understand the ending in their own way.
Well, from the technical point of view, there are no complaints. Everything is very even on the level. A beating style, brutal scenes with classical music, wonderful actors ... Everything about the form is perfect. The content only disappointed a bit. Although, unlike the same Tarantino's 'Kill Bill', the film turned out to be more honest. There is a 'movie about a movie' without a special idea, there is an idea here. I have sinned too much ... I am not worthy of a child like you ... There is something in this that you believe.