I surprisingly liked the film. I thought it was going to be a cakewalk, but it turned out to be a solid erotic thriller-detective with a pretty wrapper.
The plot centers on a black businessman who, after many years of married life, wants to win back the favor of his wife, who has already stopped paying attention to him because of the fact that both of them are busy with their careers. At one point, things begin to get better, but then a botched robbery occurs and a man from the past returns inopportunely.
Sounds confusing, but interesting. The storyline is exactly that. I generally like movies where brains prevail over brute physicality: battle of wits, devious plots, nervous expectations and long-awaited denouements. It all allows you to immerse yourself in the process and crack the puzzles of the main characters. At times you involuntarily take sides and reflect on your actions in certain episodes.
In the professional color correction I see the main advantage of the film. The picture is bright, appealing. "Dangerous Temptation" often likes to play with beautiful views. Not just of people, but of a sleeping city. It all looks vivid and appetizing and seductive.
What I don't like is when a film is made into a propaganda product. A picture should be a story with an idea, a soul, an emotion. It should not be an empty film for the sake of an empty film to present some agenda. Unfortunately, here they decided to boldly emphasize a sore American theme. And lest "Dangerous Temptation" infuriate whites, there was a strong and independent boy-baby on the other side of the barricades. You know, if you try to talk down to them, you will immediately get accusations of sexism. So the opposing camps are worthy of each other.