Once again, Sato is on fire. What is only worth the serious, focused look of Ken Takakura, who for the first half of the movie will try to solve everything passively, avoiding opposition, and then will go into such a desperate attack on the mafia that Hagakure Tsunetomo could admire him. For the sake of this desperate denouement, an informative, but not too interesting semantic combination is probably spun - before the voiced events, our hero must lose his place in the special forces and come into full conflict with the local mafia. Personal search for justice leads to the support of former colleagues and a hard drive - special forces against yakuza.
Ken Takakura here really looks like Bronson and Chuck Norris. He's serious and not much of a wordsmith. But with all the similarities to Hollywood and anticipation of 'Commando', the film does not adhere to all the stamps. Japanese cinema accepted any realistic options and did not hesitate to fix them. If an axe in the head - then there is a lot of blood and a skull on two, and if an important character dies - then he dies. And so, in this Asian humility is the main advantage of the movie. Everything here is simple and even reminiscent of Soviet action movies. Unpretentious, but not bad at all.